Journey to humanity’s heart, with a lens

By Israel Bansimba

  • Israel Bansimba is a third year fine art student at the University of Johannesburg, who took part in the arts writing course facilitated by Robyn Sassen earlier this year.
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MAN with an eye for dance: Seasoned dance photographer, Denis Rion. Photograph courtesy youtube.com

THE MAGIC OF making a photograph work, according to Nantes-based veteran dance photographer Denis Rion (59), happens in the way in which it can capture light and movement. He was seduced by the medium at a young age and realised early on that this would be a lifelong affair. Rion was in South Africa for this year’s Dance Umbrella, as he collaborated with Gaby Saranouffi and Moeketsi Koena on their work Corps. He chatted to My View about his career behind the lens and in front of dancers.

“Dance is a fundamental element of the culture and identity of each country I have visited,” he says, speaking of how his career has taken him all over the world. He is interested in capturing gestures and movement and his work’s resonance with the dance world felt natural from the start. His work has been characterised by his desire to capture and reflect on the idea of ‘the other’.

Characteristic of Rion’s dance photography is the black background. He explains this, deeming that blackness as neutral: “If the background is the decor, there is the subject plus the decor, but I’m only interesting at the subject, that’s why I use the black background in general.”

On his website, he comments: “My photos offer a still picture of what is most live in us: flesh and emotions, materials and colour, which highlight the magnificent force of movement and gesture, the richness of the diversity of body expression, like a journey to the heart of humanity.”

  • Rion’s work can be seen this week with the performance of Corps, danced by Gaby Saranouffi and Moeketsi Koena in Infecting the City, April 5, 7 at Artscape, Cape Town. Visit infectingthecity.com/2017/
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