Maqoma’s work has a tendency to leave you trembling in anguish. It’s an earth shattering experience you might not be able to rationally find the vocabulary to describe. How could it be possible to say so much with just music and movement? Genesis may take you deeper you believe possible.
Ziaphora Dakile, Kitty Moepang and Barileng Malebye take hold of this script which forces them into the personas of many: old and young, black and white, good and evil, with sophisticated empathy. Vying between English, Afrikaans and isiXhosa, it uses idioms that you understand from your intestines, if not grammatically.
WHEN YOU HOLD a match to something flammable, you will get an explosion. But it need not be a destructive one: Pantsula dancer Ayanda Nondlwana aka “Fire Starter” or “Ace” was that kind of flammable, in the dance sphere. All the people who touched his life enabled him […]
THE POWDER KEG of young men on the cusp of adulthood is the culturally messy and politically dangerous one that filmmaker John Trengove and his team grasped with both hands and many hearts in Inxeba (the Wound), which first saw light of day in 2017. It proved to […]
Occasionally, very occasionally, a creative work seems to make itself. Is it about the universe taking control? Or God? Perhaps it is about having done a thing so often you go into autopilot and don’t think about the hugeness of what you are doing. Either way, when this […]
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