FROM THE SINISTER complexity of its cover, to its end pages, Anton Harber’s 2020 publication So, for the Record is a vital essay on the current state of journalism in South Africa. And it’s not a pretty picture. This publication should be present on the bookshelves of anyone […]
Sometimes it takes a relatively small conflagration to set the whole world on fire and let it burn to the ground. Alexander Nanau’s brilliant documentary Collective tells a story that will trigger your sense of urgency as it will trouble your gut. It features on this year’s Encounters […]
THE STORY (SO far) of Swedish teenager Greta Thunberg is biblical in its hugeness and in the power that the voice of a youngster can have on how the world turns. On paper, Nathan Grossman’s I am Greta could be the biggest jewel in the crown of this […]
MANY OF US can see the flaws in our country’s leadership. Not many of us have the balls, the centrality of total focus – and maybe the naiveté – to think we can take it on and bring a happier face to a country battered by violence and […]
FILM REVIEW: BANKSY, MOST WANTED. ARE YOU, PERHAPS, Banksy in your private life? Do you slip out of context, don a workman’s overall and become invisible as you paint clever mischief through stencils or spray cans onto unsuspecting public walls? The core of sheer documentary gold is to […]
FILM REVIEW: DAYS OF CANNIBALISM. IF YOU OFFER a man the right price, you can get him to give you his land to rape and pillage. It is this horrible reflection that is implicit in Teboho Edkins’s astonishing documentary on the Chinese migrants of Lesotho. Entitled Days of […]
FILM REVIEW: INFLUENCE. AN ELDERLY WHITE man in a cardigan sits and smokes with his back to the camera, in the opening scene of Richard Poplak and Diana Neillie’s exceptionally slick piece of filmic journalism Influence. Lord Timothy Bell may look benign but with his amorality on his […]
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