Makan’s was a life of fullness and thoughtfulness; it was only in her mid-30s that she began to weave a grown-up narrative of artmaking blending her aptitude for a wide range of research interests and her love of family, with oil paint and later, the stuff of embroidery and haberdashery.
In the hands of Daniel Butcher-Geddes, The Jungle Book’s all fun and games until the really scary beasts are part of the fray. And it’s here that you will see easily the finest snake puppet given life on stage in this country by Virtuous Kandemiri in the role of Kaa.
NOT ONE TO crudely ‘blow his own trumpet’, New Music composer Jürgen Braüninger was a humble, yet vital composer and teacher based in KwaZulu-Natal, set afire by anything from Stockhausen to Zappa and African tonalities. A man with an ongoing wish to forge a new postcolonial South African […]
PREMISED IN THE kind of sing-song voice that you might attribute to the retelling of a bible story, The Season of Glass is a fictional vessel for messianic prophecy, focusing on the birth of twins. But it’s not that simple. As you plunge into this complicated tale of […]
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