Beginning like a mashup of Oskar’s shenanigans in Günter Grass’s Tin Drum and the gently crass lyrics of 1940s band Spike Jones and the City Slickers, the autobiography of Berlin-born jazz guitarist Coco Schumann reflects prosaic insight into the European Holocaust. It gives life to the adage […]
When a theatre production takes on a classic work of prose and gives it new life, the audience is fortunate. When this new life is articulated with such fire and wisdom that the original words of the master are seared with new energy, the audience is privileged. When […]
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