TELLING STORIES IS complicated. Telling personal stories that you have lived through even more so. And telling them perfectly, is extremely rare. Paolo Sorrentino’s film The Hand of God, is one of these unique feats of collaborative creative skills that yield a product that will lift your mood […]
THE FIRST TIME you read this book, instinctively, you know you must be very careful. To cite Julian Schnabel’s film Basquiat: you might be looking at Van Gogh’s ear. This is the kind of metaphor that Lynn Joffe’s debut novel, The Gospel According to Wanda B. Lazarus presents. […]
MORE THAN AN exercise of escapism into the flaws and faux pas of privileged fictional characters, Craig Higginson’s most recent novel, The Book of Gifts, is a yarn about values and the fragility of young sensibilities. It’s a quick read because it is well crafted and the words […]
RADIO DRAMA REVIEW: FAAN’S SE TREIN. THE RIPPLES THAT an autistic diagnosis make in a society are complex and devastating. They centre on the individual, spill over into his or her loved ones and then touch the community and the society in ways sometimes supportive and at other […]
An editorial by Geoff Sifrin. SHOULD IT BE morally permissible for a film to be made, portraying Hitler as a clown, where constant salutes to him of “Heil Hitler” are a joke? Is comedy an appropriate medium for portraying the Nazis, 80 years after the Holocaust, when their […]
AS YOU IMMERSE yourself in the quirky and wise body of work by Andrew Kayser currently on show at Galleri Kalashnikovv, you may experience a frisson of recognition that shifts and transitions as you look at it. But this hasn’t to do with the line work or the […]
VERY RARELY DO you find a film that is effectively a piece of advocacy work, so searingly well made and intensely carefully constructed that it surpasses the threshold of actuality and turns into great art. Nadine Labaki’s essay in Amharic (with subtitles) on poverty and disenfranchisement in contemporary […]
PLEASE BE WARNED: STROBE LIGHTS ARE USED IN THIS PRODUCTION! WHEN YOU ENTER the sacred confines of a new work which you’ve yet to experience and the front of house staff issue you with ear plugs along with your tickets, be afraid, be very afraid. Flemish choreographer Jan […]
ANY MANIFESTATION OF the arts in the public domain involves collaborative energy, give and take, the use of others’ expertise. And the names of those people are mostly not on the headlines of the work. Ask any sub-editor, stage manager, gallery factotum or set designer. Björn Runge’s film […]
THE SCENE IS set for something utterly extraordinary. Quietude pervades. There’s a tight row of wooden crosses, standing plunged into the ground. And the riffs of sound filter through the space, subtly at first and then with richer resonance. You’re on high alert. You don’t know what might […]
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