WHAT DO YOU do when you’re tasked with the staging of modern children’s classic that burst into popularity in 1964 and did not stint in saying things that were hilariously rude, flying in the face of all refined convention with some chewed chewing gum stuck behind its proverbial […]
IT TAKES A special blend of creative fierceness, respect for the original and gentleness toward traditions established by a theatre over many years, to reinvent a great old chestnut with enormous success. The creative team behind this year’s iteration of Charlotte’s Web are not names previously associated with […]
UNEQUIVOCALLY DARK IN its condemnation of the hypocrisy and divide in society, the Pied Piper of Hamelin was penned by Robert Browning in 1842. Like Charles Dickens’s work, it holds a strange kind of magic which makes it understood to be for children, but the message is grim […]
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