In ‘Thrill Me’, lighting in tandem with language and movement achieves greatness, lifting the spectacle to a sinister monochrome in the face of the greatest sin one human being can perpetrate against another. Balance in the performers’ movements and the story’s nuances, makes it satisfying on eye, ear and mind.
WHEN A GREAT classic is slipped between the covers of a festival of contemporary film, you may approach it with the eye of a novel ready to embrace its nuances and romances. But you also may wish to switch gear to reflect on its epic greatness and philosophic […]
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