It is Emma (Kaya Toft Loholt), the family’s younger daughter, who makes this work sing with a poignancy that hurts, it is so finely tuned. She’s a deadpan youngster, subject to the whims of grown-ups. Her passion lies in kicking the ball; she hates the colour pink and girly frocks.
TELLING STORIES IS complicated. Telling personal stories that you have lived through even more so. And telling them perfectly, is extremely rare. Paolo Sorrentino’s film The Hand of God, is one of these unique feats of collaborative creative skills that yield a product that will lift your mood […]
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