Now in her sixties and not afraid to take hold of the world with both hands, Elzabe Zietsman’s revue comprises a mêlée of songs which she has penned and others she has moulded to fit South Africa’s unique levels of hypocrisy, hatred and hope, sometimes all in the same breath.
HOW DO YOU look back on close to six decades of incredulity at the caveats and bouquets of humour so off the wall that only politicians could have written them? Pieter-Dirk Uys’s latest theatre production, Sell-By Date, which performs at Montecasino until 10 September looks at a lifetime […]
AS YOU PUT your hands together in salute of this theatre work, and shift yourself to stand in loyal ovation, you are celebrating and honouring not only this particular theatre work, but the treasure that Pieter-Dirk Uys is to this country. It’s a feeling that floods through the […]
THE QUEEN IS dead. Long live the queen. So begins Pieter-Dirk Uys’s current foray into the shenanigans and hypocrisies that have been the Vaseline of South African political intercourse for the last 40 years, and #HeTwo does the unthinkable. Uys, in his 70s, continues to ratchet up the […]
WHEN OLD AGE and its vagaries come under the inestimable loupe of Pieter-Dirk Uys, you may believe you’re in for a laugh-a-second experience with a sharp and bitter edge, and you will not be wrong, but the tears fall amid the laughter, which sometimes sours on your face. […]
YOU KNOW THAT headache you get when you are grinding your teeth really energetically to ensure that the outer chaos doesn’t make your whole head implode? That is the kind of feeling you may emerge with when you exit Hedwig and the angry inch. It’s a mash up […]
A STEPLADDER REACHES up to the ceiling of the stage. The curtains are half closed. There’s a “horrible little doll” representing Economic Freedom Front leader, Julius Malema, and Evita Bezuidenhout, togged in flimsy leopard print and doek with a bag full of goodies arrives for an Imbizo, cellphone at […]
Sometimes you just know that a film will most likely not break box office records, not in this generation, at least, but that this market-centric prediction has absolutely no bearing whatsoever on its brilliance, its historical merit or its importance as a piece of research. Johnny is nie […]
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