Oliver Laxe’s film Sirât, could be the defining moment of this year’s European Film Festival in South Africa. It’s a tale in the here and now, conflating a music rave with an aggressive military presence, the fragility of life against the enormity of desert energy. It is magnificent, terrifying: simultaneously.
This beautiful tale of Chopin and Ravel brought to life on an out-of-tune piano features moody silences and devastatingly subtle filmography. It is a work about how one holds the deepest of pains and sharpest of taboos closest to one’s chest. Because words are tools too lumpen to describe them.
STAND BACK FROM Agnieszka Holland’s film Charlatan, loosely based on the life of herbalist Jan Mikolášek (1889-1973) and the grand impression that it leaves sits like lead on your chest. Not that this is a bad – or inaccurate – thing. This intense portrait of, in large part, […]
WHEN YOUR LIFE, and everything you thought it was, shifts irrevocably in a five minute medical consultation, you enter a complicated vortex of loneliness and reality that cannot be sidestepped. Run Uje Run, directed by Henrik Schyffert is an autobiographical foray into Swedish musician Uje Brandelius’s confrontation with […]
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