Warning: This production uses strobes. With a splutter and a bang, a whirr, many consecutive explosive pops and a roar, the little car ripples, eventually, into life and it’s got enough heart and soul for a whole family, complete with wings and fins, as the need prevails. This […]
YOU MAY NOT think your three- or four-year-old is ready yet for lessons about the value of money, history and literature, but in the extremely able hands of director Daniel Geddes, your sproglet will be moved, taught and fascinated by the wiles of a silly bunny who cannot […]
UNEQUIVOCALLY DARK IN its condemnation of the hypocrisy and divide in society, the Pied Piper of Hamelin was penned by Robert Browning in 1842. Like Charles Dickens’s work, it holds a strange kind of magic which makes it understood to be for children, but the message is grim […]
WHAT DO YOU do with a fine and classical tale of Christmas told in Dickensian language, if you want to add a bit of sprite to its shenanigans and a bit of verve to your audience engagement? That’s easy. You Seussify it. So says American theatre-maker Peter Bloedel […]
IF YOU GREW up under the spell of Kenneth Grahame’s The Wind in the Willows, you will remember that there was always a delicious ferocity about Mr Toad, with his short squat body, his big toady eyes and his enormous mouth. It’s difficult to recall whether it was […]
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