The production is delightful. It offers the now-57-year-old musical levity. As it opens, the lighting is rich with nuance. It feels like you’re gazing at a tableau of Rembrandt’s 1635 Belshazzar’s Feast not only for its colouration, but also in the evoked debauchery, teetering on the edge of biblical taboo.
TAKE A HANDFUL of western fairy tales. Inject into them a goodly measure of Jungian myth-making, and Rudolf Steiner thinking, spiced with some pop psychology, tight Broadway sequences, a dollop of cynicism, some good rhythmic writing and not a little tongue in cheek-ness and you get a rollicking […]
ONE OF THE toughest aspects of mounting a West End and Broadway hit musical that has iconic film status is probably also one of the production’s biggest blessings: everyone knows the lyrics to the Lloyd Webber and Rice production Evita so well, they’re bawling them out all the […]
IF THE RAZZLE-DAZZLE of Andrew Lloyd Webber’s Joseph extravaganza is what gets your mojo pumping, look no further. This show is replete with utterly fabulous male performers, a song repertoire that’s mesmerising and upbeat and a hodge-podge of music references that may turn your head, if the booming […]
Drenched in blood and delicious in its unrelenting dark humour, Steven Stead’s production of Sweeney Todd, the Sondheim classic that blends some of the finest traditions in vocal music, is a real achievement. Headlined by Jonathan Roxmouth in the lead, and Charon Williams-Ros as the dreadfully fine Mrs […]
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