Living in the love of a broken people

Itsoseng

THE people shall decide! The cast of Itsoseng, (from left) Khanyisile Ngwabe, Akhona Namba, Thabiso Rammala, Katlego Letsholonyana, Alfred Motlhapi, Rea Segoati and Dimpho More. Photograph by Mpho Khwezi.

IT WAS STORYTELLER extraordinaire Gcina Mhlophe who once commented that the art of storytelling lies not so much in the tale but in the telling. She could well have been referring to Itsoseng, a beautifully crafted love story in a time of disappointment and a place of poverty.  It’s a rich and well choreographed work which tells a story as timeless and as tragic as Romeo and Juliet.

Written by Omphile Molusi in 2008, this extraordinary tale of broken dreams and pure love is mostly in Setswana, but it is honed and moulded and performed with such a sense of commitment and focus, that you don’t have to understand the Setswana to be able to roll with the story’s punches and laugh and cry with the characters’ joys and horrors.

In previous manifestations of this play in this theatre, it took the form of a monodrama, where the central character, a young man named Mawilla, offers insights into his whole community with nuance and gesture. Now, with a cast of seven, the work is fleshed out in a different way and with different levels of energy that infuse the material. It is very astutely cast and the conflation of Mawilla (Thabiso Rammala) and his ‘home boys’ Saxa (Alfred Motlhapi) and Buda 6 (Katlego Letsholonyana) is fierce in its sensitive portrayal of the dynamics of childhood and youth. The women in the cast, however, under the quiet leadership of Dimpho More in the role of Dolly, lend the work its fire and its music. Intertwining beautiful harmony with protest action, the work is tight and well defined and the performers intelligently directed.

Each performer shines in his or her individual way, which enhances the sense of texture in the work. And what Motlhapi can do with a simple shopping trolley simply beggars belief as he conjures up a whole history of a disused and destroyed shopping centre that’s one pivot of the tale, with this humble vehicle.

Itsoseng is a real township just outside of Mafikeng in the North West Province, which was formerly part of Bophuthatswana under apartheid puppet ruler, Lucas Mangope. This play describes a tale of blind anger and protest, of broken economies and shattered political promise. And given the way in which the hopes and dreams of the broader community rest upon mob energy and hollow commitments from government, it’s a work which hangs with prescience on contemporary South African realities.

Flawed only in its use of shebeen noise and stage smoke which is simply too big for the Barney Simon theatre, Itsoseng is an important work for South Africans to see. For the injustice it portrays. For the beauty with which it portrays it. And for the delicious cast of magnificent young talent.

  • Itsoseng is written by Omphile Molusi and directed by Lesedi Job who has been mentored in this capacity by Kgafela Oa Magogodi. It features design by Hailey Kingston (set), Nthabiseng Makone (costumes), Nomvula Molepo (lighting), with incubates Jabulile Precious Mangqangwane (lighting), Sinenhlanhla Zwane (set), Sabelo Mavuso (sound) and Nthabiseng Malaka (costumes). It is performed by Katlego Letsholonyana, Dimpho More, Alfred Motlhapi, Akhona Namba, Khanyisile Ngwabe, Thabiso Rammala and Rea Segoati, at the Barney Simon Theatre, Market Theatre complex in Newtown, Johannesburg until May 7. Call 011 832 1641 or visit markettheatre.co.za.
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Unstoppable tale for six

sixcharacters

BROKEN family with a tale to tell. From left, David Butler, Lebogang Inno, Sandi Schultz and Chantal Stanfield. Photograph courtesy artslink.co.za

HOW BEST DO you tell a story sullied and broken by trauma? Do you blurt it all out in one brutal shriek? Or do you give it context and framework? Do you make it circuitous?  And funny?  Joseph Heller did it. Alan Bleasdale did it. As did Luigi Pirandello. Magicked into contemporary Johannesburg relevance by director Sibusiso Mamba, Six Characters in Search of an Author is a play that begins as you step into the theatre foyer, and it will sweep you away on a journey tinctured and moulded by the philosophical constructs behind characters, actors, ghosts and a story that demands to be heard, but begs not to be told.

The woman mopping the foyer floor minutes before the doors to the theatre opened, got a loud and public scolding by an usher, as he checked audience tickets, officiously, a worried expression on his face. People got twitchy. “Should we go home?” they pondered. “What is the Market Theatre coming to?” they thought.

The doors opened and the same seemingly unrehearsed, seemingly haphazard approach of the performers filtered through, with snippets of music cast from an upright piano, a dog older than God in a car in the parking lot and a general sense of incompletion. Not quite sure how to respond, the audience, roughly respectfully, laughed politely along with the flowing sense of panic about a lack of funding, Brexit, rough and desperate read-throughs, and over dramatised gestures. It really did feel unready. And it was precisely the kind of tricky manipulation of the very mechanisms of theatre that Pirandello used as a foil to his work in 1921.

This astonishingly fine cast, with an exceptional mix of theatre veterans such as Desmond Dube, David Butler and Kate Normington, and relative newcomers and faces from tv, such as Sewende Laan’s Chantal Stanfield and Binnerlanders‘s Sandi Schultz hold this potentially catastrophic piece with the kind of tight steerage and sophisticated authority that really finely honed clowns are capable of. While you might not be able to predict the trajectory of this utterly beautiful piece, you know that you are in safe hands.

With some remarkable costume and set decisions that feature characters who are dead yet present, and others who are trapped in the horror of their own self-fulfilling tale of domestic tragedy, the work is a monster of a piece that takes you all over the place, and gives you everything from snippets of Skeem Saam to bits of Hamlet. In bowing with great respect to the European traditions of Pirandello, and with great humour to the dramatic gestures that punctuated certain theatre traditions, the work develops a powerful momentum maybe twenty minutes in, that prevents you from breathing too loud.

Wise interfolding of Pirandello’s text with asides from the contemporary context, this tale of almost incest and exploitation through several marriages and much sad and hard feeling, offers an overriding sensitive pondering of how the construct of theatre matters to you, a person in the world. It will entertain you completely. And it will haunt you.

  • Six Characters in Search of an Author is written by Luigi Pirandello and adapted and directed by Sibusiso Mamba assisted by incubate Mxolisi Masilela. It features design by Thapelo Mokgosi (lighting), Karabo Legoabe (set) assisted by incubate Nthabiseng Malaka, Nthabiseng Makone (costume) assisted by incubate Gift Nwokorie, and Disney Nonyane (sound). It is performed by David Butler, Desmond Dube, Lebogang Inno, Tebogo Konopi, Rebecca Busi Letwaba, Alick Magemane-Mdlongwa, Phumi Mncayi, Dimpho More, Kate Normington, Gontse Ntshegang, Sandi Schultz, Anele Situlweni and Chantal Stanfield and performs in the Mannie Manim Theatre, Market Theatre complex, Newtown, until July 24. Call 0118321641 or visit markettheatre.co.za