‘So Long, Marianne’, a tribute to Marianne Faithfull is not only about the 1960s peaceniks or the proliferation of drug-users of the 1970s, it’s a piece threaded through with Shakespeare to make you weep, taking the voice of an angel to the depths of the demonic, with cigarettes and time.
‘The Tramp’ is punted as a pocket musical; it contains an immense ambit which peers into the complex life of a man who skirted controversy wherever he went. It holds you with beautiful performances and a set that strips the Chaplin name of cliche and gives analogue the upper hand.
‘Master Harold’ is about the love and the shame and the hate that gets rolled into one messy stream of anger in the face of caring for a broken parent. And it is about the way in which a primal gesture can so sully a conversation that it annuls it.
IT’S VERY RARE in this industry, in this country, that audiences are privileged to see skills so sharp and lithe, so wise and developed, in a performer who is so young. Daniel Anderson, at just 24, embraces performance with a full heart and an open soul, but much […]
His was the story that changed the world’s understanding of the artist’s struggle. He yearned to, but failed to find love. He yearned to, but failed to make a conventional success of life. And at 37, died a pauper, alone. And then his work rocked the art world […]
ansunecilliers
beckkglass
Gillian Rennie
elizhanduvenhage
erinventer02
Geoff Sifrin
henricopg
huibrechtdehart
isabeausophiajoubert
jessicajoubert
kaylamullerr
matthewvanderwalt
meereieliefde
olgalouiselemmer
Peta Kaplan
Robyn Sassen
shanelschoombee
thembanhlapoart
zainabchoonara
Recent Comments