THE SKILL OF representing inner dialogue and spooky intuitions on film is a complex, almost philosophical, one. How do you, without labouring the idea, tell your viewer what you need them to understand by what you are showing them? Melding past, present and future, with future imperfect and […]
ANY MANIFESTATION OF the arts in the public domain involves collaborative energy, give and take, the use of others’ expertise. And the names of those people are mostly not on the headlines of the work. Ask any sub-editor, stage manager, gallery factotum or set designer. Björn Runge’s film […]
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