THE STILL LIFE genre is so well used as a safe teaching device, you may consider it to have a long beard and scant relevance. Truth is, it’s not just a didactic exercise about decent perceptual skills. There’s a whole rich history behind it about contemplations of mortality […]
AN UNCOMFORTABLY DIZZYING association between the ideas of feminist magical realist writer Angela Carter and between-the-wars German collagists John Heartfield and Hannah Höch, seems the most appropriate way of describing the wild and terrifying humour, explicit and witch-like sexuality and rough and tumble gamesplaying in this, the first […]
TAKE AN ALREADY angry and energetic approach to art making with a political edge, and exacerbate it with shoddy politics, unethical behaviour and the distressing circulation of the notion of ‘alternative facts’ in the country and the world, and you get Blessing Ngobeni’s current solo exhibition – the seventh […]
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