THE ARCHITECTURAL DRAMA of the ramp and the entrance point to Circa gallery sets the tone for In/Dependence, a solo exhibition by Robert Slingsby, and the energy and force is carried through in a dramatic, intense installation, but there are elements of excess in the presentation and articulated […]
THE STILL LIFE genre is so well used as a safe teaching device, you may consider it to have a long beard and scant relevance. Truth is, it’s not just a didactic exercise about decent perceptual skills. There’s a whole rich history behind it about contemplations of mortality […]
AS YOU REACH the top of Circa Gallery’s oval spiral ramp that has become so iconic on Jan Smuts Avenue in Rosebank, and enter this exhibition of works on canvas by Bambo Sibiya, you realise something overwhelming. This is not a simple art show. It is an event. […]
AN UNCOMFORTABLY DIZZYING association between the ideas of feminist magical realist writer Angela Carter and between-the-wars German collagists John Heartfield and Hannah Höch, seems the most appropriate way of describing the wild and terrifying humour, explicit and witch-like sexuality and rough and tumble gamesplaying in this, the first […]
WITH A TOUCH of Pablo Picasso, a hint of Hieronymus Bosch, a foray in the direction of Norman Catherine and another towards Mmakgabo Sebidi, not to mention some hefty nods to George Grosz, the work of Blessing Ngobeni seduces all your senses from the moment you walk into […]
Artist Bronwyn Lace enjoyed an important friendship with the late Neels Coetzee. She graduated from Wits University two years before she first encountered his work and knew him more as a friend and master of South African sculpture, in the latter part of his life, than as teacher. […]
It was William Blake who wrote of infinity in a grain of sand; there’s a logical, but also a peculiar parallel which happens unintentionally in Crucible, the first major retrospective exhibition of work by the late Neels Coetzee. It’s an odd thing, because the intensity and unequivocal beauty […]
A sheep looks at you blankly from the interstices of a drawing. But is this really a sheep? Conjoined with a human-evocative body and highlighted by a clasped-together pair of chicken’s feet, the current exhibition of charcoal and paint works on paper by Colbert Mashile is about much […]
There’s a fine and lovely ringing and rumbling set up in the blending, piece by quintessential piece of colour and texture in Tamlin Blake’s latest body of experimental works on show at Circa in Rosebank. And while, according to the exhibition’s press release, there’s a conceptual resonance set […]
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