Gofaone Bodigelo is a Medea who is angry to the point of blindness, but she never loses her sense of being a woman wronged rather than a witch. It is, however, the chorus: 17-year-olds Natasha Dube and Malcom Moloi that leave you shattered by the sheer potency of their performances.
‘Diary of a Wimpy Kid’ has a strong moral back bone without being clean of fart and snot jokes that are endemic to being a tween, and performed, by a cast which is itself, adolescent, is nothing short of a magical success on the part of its director, Vicky Friedman.
A TALE OF cheapskates and liars, an anti-capitalist dictum couched in some of the Western world’s most loved and most vicious of ballads, The Threepenny Opera graced Wits’s stages last week, in a student production under the directorial hand of Fiona Ramsay, who teaches them. It sizzles and […]
ansunecilliers
beckkglass
Chester Miggels
Gillian Rennie
elizhanduvenhage
erinventer02
Geoff Sifrin
godukazinobulali
henricopg
huibrechtdehart
isabeausophiajoubert
jessicajoubert
kaylamullerr
matthewvanderwalt
meereieliefde
olgalouiselemmer
Peta Kaplan
Robyn Sassen
shanelschoombee
thembanhlapoart
Willem Pieter
zainabchoonara
Recent Comments