Malo is a tale about a clown with heart, a ringmaster with a whip and a moon with a maiden in it. It’s about love – love gained, love lost and love gossiped about on a celestial journey peppered with strong-man tactics, fire eating, Honeymanesque puns and lots of aerial dancing.
In ‘Thrill Me’, lighting in tandem with language and movement achieves greatness, lifting the spectacle to a sinister monochrome in the face of the greatest sin one human being can perpetrate against another. Balance in the performers’ movements and the story’s nuances, makes it satisfying on eye, ear and mind.
FOUR LITTLE WORDS from one of the best showtune lyrics out there will turn into a delicious ear worm if you give them a chance: If you’ve watched a musical or two, He Had it Coming will get you jiving with the crimes of passion of the notorious […]
Children with their dogs in a tale about orphans during the years of the 1930s Depression – one that ends with a resounding happily-ever-after: It’s a flawless recipe for absolute schmaltz overload, for most directors, performers and producers. This version of Annie, however, replete with a significant child […]
Take an ensemble of the best voices in the business right now. Befrock them in an array of habits and foreground the stage musical based on the eponymous film which saw Whoopi Goldberg’s rise to popularity in the early 1990s, and what do you get? Sister Act is […]
What happens when you put four song and dance and jazz veterans together with some timeless classics from the American Song Book, a bit of Bessie Smith and a smattering of Joan Rivers, to say nothing of the Communards’ delicious Never Can Say Goodbye? In simple terms, a […]
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