IN A WORLD where theatre-making has been violently pared by budget, here is a hefty chunk of utter magic that cocks a snook at all of those restrictions. Don’t have more than one scene, they say. This one’s got many. Cut your cast down to monologue-status, they insist. […]
GRAVEYARDS ARE FASCINATING and complex ciphers of values. They’re about grounding one’s memories and honouring those who are no longer with us. They’re about a level of sacredness which touches everyone at the core. This is the premise of Athol Fugard’s devastatingly potent work, The Train Driver and […]
DWAYNE COMBRINCK IS a man with demons. You can see this as he walks into his workshop, a bloodied baseball bat in hand. You can see this in the anger he articulates and the acerbic vitriol he spews when provoked. But not all of his demons are fuelled […]
PICTURE THE SCENARIO. It’s the mid-1970s in the boroughs of New York City, and white working class teenagers are dancing themselves wild because there’s nothing else to do to keep body and soul together, other than joining the church or getting a low-key boring job. The opening chords […]
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