‘So Long, Marianne’, a tribute to Marianne Faithfull is not only about the 1960s peaceniks or the proliferation of drug-users of the 1970s, it’s a piece threaded through with Shakespeare to make you weep, taking the voice of an angel to the depths of the demonic, with cigarettes and time.
‘The Tramp’ is punted as a pocket musical; it contains an immense ambit which peers into the complex life of a man who skirted controversy wherever he went. It holds you with beautiful performances and a set that strips the Chaplin name of cliche and gives analogue the upper hand.
An editorial by Geoff Sifrin. SHOULD IT BE morally permissible for a film to be made, portraying Hitler as a clown, where constant salutes to him of “Heil Hitler” are a joke? Is comedy an appropriate medium for portraying the Nazis, 80 years after the Holocaust, when their […]
AN UTTERLY COMPELLING reflection on the terrifying reality of Post Traumatic Stress Disorder and the value of an editor, Danny Strong’s film Rebel in the Rye starts off with sheer charisma, a great sense of authenticity and a tough confrontation with what it takes to be a published […]
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