Taking you unflinchingly to the bedside of his elderly mother, flailing with dementia but sometimes starkly spot on in her lucidity, Peter Godwin’s memoir, ‘Exit Wounds’ laced with alliteration vigorously contemplates the complex texture of the life of a Zimbabwean-born war correspondent, with British ties who currently calls America home.
This play is about how broken ordinary things can have another life punctuated by different metaphors and idioms, because of their brokenness. It presents a set of values that also apply to broken people. It’s about the sensitive, beating nexus that makes a curious, maybe traumatised child into an artist.
THEATRE IS NO only alive and pumping in South Africa; it is world class. Take a gander at Ashley Dowds in one of this country’s contemporary classics, Paul Slabolepszy’s The Return of Elvis du Pisane, and you’re got the picture: gritty, funny, tragic, universal and something that will […]
IT TAKES A tremendous amount of skill and wisdom – as well as, of course, courage – to be able to tear and resew the traditional fabric of a novel and turn it inside out, tossing convention to the ether. Will, the passenger delaying flight …, may well […]
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