SHE MINCES INTO the world with her highlights and her backless lace frock, all the bits and bobs of feminine je-ne-sais-quoi perfectly in place. She’s totally unaware of how crazily anomalous she is to her peers. She’s been made into a monster, but she’s too young to understand […]
CHILDREN LEARN WHAT they live is an iconic poem written by Dorothy Law Nolte in the 1950s. With catching rhythms of repetition, it presents the different values that can shape a child. But one not taken into consideration is that of utter emotional abandonment. In the Irish film, […]
IF YOU TAKE a slice out of the formalities of matchmaking and weddings from Fiddler on the Roof, and slot it in alongside some of the more potent scenes involving the beautiful widow in Nikos Kazantzakis’s Zorba the Greek, sprinkle the concoction rather heavily with romanticised farmgirl wholesomeness, […]
WHAT IS IT about Chekhov that makes us relate so beautifully to his characters that we can be unbridled in our laughter, cringes and agony of recognition at their psychological turmoil and suffocating family closeness? Director Sam Yates and writer Simon Stephens have cooked up a fresh and […]
THE COURT DRAMA in the wake of a murder of passion is arguably the most enthralling context for a thrilling story to unfold. Put it in the hands of one of South Africa’s finest directors, know that it sparkles with the words of the queen of murder mysteries […]
THEATRE IS NO only alive and pumping in South Africa; it is world class. Take a gander at Ashley Dowds in one of this country’s contemporary classics, Paul Slabolepszy’s The Return of Elvis du Pisane, and you’re got the picture: gritty, funny, tragic, universal and something that will […]
MUSICAL TALES THAT wag a finger or six at values which keep young blood closeted in ignorance have a danger of warming the cockles of the heart even before the curtain rises. Sylvaine Strike’s adaptation of Frank Wedekind’s establishment-rattling work Spring Awakening which was only first performed some […]
GENTRIFICATION. IT’S AN issue you cannot be passive about, particularly if you have axes to grind and stakes you’ve planted in the decaying area under question. Brent Palmer’s play King George takes on the behemoth of city life in all its glory and shabbiness, and he wins. It’s […]
WHEN YOU THINK of Amadeus, Peter Shaffer’s perfectly wonderful play of 1979 that cast mischievous light into the mysterious nooks and untold crannies of the life of 18th century Vienna composer Wolfgang Amadeus Mozart, the first thing that comes to mind is the music, that Confutatis from Mozart’s […]
IT WAS THE late Alan Crump, Chairman of the National Festival of the Arts in Grahamstown, during the 1990s, who used to quip about the so-called “blue rinse and boiling sweet brigade”, who the festival organisers had to take seriously because they represented a money backbone of the […]
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