Leni Huyghe’s film ‘Real Faces’ casts a number of imperatives about being human, adult and independent in a social world, into the fabric of its tale, but none of them are offered as two dimensional imperatives. It’s a complex, beautifully edited piece of work, featuring Leonie Buysse and Gorges Ocloo.
With her impish gap-toothed grin and her sprite-like existence onstage and in the interstices of the stories she told, fearless and impetuous dancer and choreographer Dada Masilo leaves a brilliant legacy that radically shifted an understanding of what dance from South Africa can and should be, anywhere in the world.
TRIBUTE TO MANU DIBANGO BY ELIZHAN DUVENAGE. CAMEROONIAN SAXOPHONIST, PIANIST, vibraphonist and composer, Manu Dibango, fondly known as Papy Groove, played an important role in innovating jazz in the last several decades. He was celebrated for his own brand of Afro-jazz, and cherished for his 1972 dance album […]
BOOK REVIEW: A CHILDHOOD MADE UP. THE COMPLICATED HORROR of the genre of autobiography is three-fold. It’s about writing convincingly in the first person, which is never as easy as it sounds; it’s about the sense of permanence in a published piece of writing; as it is about […]
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