When Cavaradossi (Freddie de Tommaso), having been tortured emerges full of love for Tosca, his aria ‘E lucevan de stelle’, a declaration of his undying belief in her, will melt you. You know this song even if you don’t. And what De Tommaso does with it, will may you cry.
‘Nye’ is about parliamentary fights and the helplessness of being on call at a parent’s deathbed. It offers one of the deepest understandings of a death scene you may experience on a live stage, and interpretations of iconic figures such as Bevan, Churchill and Chamberlain to knock your socks off.
‘Grounded’ is a knock-out of a work featuring the magnificent Canadian mezzo soprano Emily d’Angelo, that offers a take on female identity in the man’s world of war and aggression. It breaks fresh ground with contemporary technology and will blow your mind with its take on moral trauma and complexity.
The Motive and the Cue is as much about the hierarchy and debauched embarrassing nature of theatremakers, who feed off one another’s intimacies as it is about the greatness they can produce when under the spotlight and in the spell of the work itself. Beautifully staged, it is a treat.
SHE SAID, HE said and the vulnerable young woman servant without a voice hasn’t a chance in a context where she can be labelled one thing and hung for it. Push anyone far and ruthlessly enough with the threat of their worst fears at the price of their […]
THE RUSH AND thrust of politics can date very easily. Particularly within the ambit of a staged play. In the hands of the makers of James Graham’s Best of Enemies, however, the political narrative surges with lifeblood that is timeless. The public conversation that is the focus of […]
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