‘The Tramp’ is punted as a pocket musical; it contains an immense ambit which peers into the complex life of a man who skirted controversy wherever he went. It holds you with beautiful performances and a set that strips the Chaplin name of cliche and gives analogue the upper hand.
Onstage, it is just Ingrid and her words, her wine, her complex articulation of love and her brutal experience of despair. The letters are unabashed in their eroticism and give-and-take, but Jonker’s aloneness is candidly central. This theatre-making gesture makes you consider the loneliness of being in the world, altogether.
THE ROLLICKING CLICHES surrounding stories of love: love found, love cherished, love betrayed, love lost, is something central to who we are as human beings. So central that the idea might make you yawn a bit. The telling of tales of love have always begged for a mix […]
IT’S VERY RARE in this industry, in this country, that audiences are privileged to see skills so sharp and lithe, so wise and developed, in a performer who is so young. Daniel Anderson, at just 24, embraces performance with a full heart and an open soul, but much […]
WHEN A GOOD storyteller has the skill to worm their way into an established monolith of history, there’s always some meat for a fantastic story. But Ian Gabriel’s Death of a Whistleblower is a lot more than just a great yarn that cuts deliciously close to the bone […]
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