It’s about the wiliness of a five-year-old and the mess of political and geographical possibilities in the interstices of the Cape Flats and what can happen in the blink of an eye to a child who recognises an ostensibly friendly grown-up’s hand, without analysing it or colouring it in fear.
SHE’S TOUGH. SHE’S wise. She has everything it takes to be conversant and earn respect in the uncouth macho South African man’s world that constituted the SA Police Service in the mid-1990s. She also has what it takes to skip the light fantastic to leap into the abyss […]
VERY RARELY, YOU might be lucky enough to have a film cross your radar that presents you with an understanding of the intrinsic value of telling stories so much that you feel the need to speak of it in whispers. It’s like a sacred entity has been brought […]
HOLIDAY TIME BECKONS and a young white South African family comprising two little girls, a teenaged son and their parents are readying themselves for their annual seaside vacation. Bessie (Simonè Benjamin) is but 19. She’s brown. And she’s employed as the family’s nanny. And she’s never seen the […]
VERY RARELY DO you get a coming together of narrative values that are not only sensitive to the text that they honour, but also have the maturity and sense of purpose to create a filmic product that stands on its own creative feet. This is what happens in […]
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