CLEMENTINA MOSIMANE SHIMMERS with magnetism in Poppie Nongena, Christiaan Olwagen’s beautiful and rich translation of arguably one of South African literature’s more important novels. Die Swerfjare van Poppie Nongena was crafted by Elsa Joubert in 1978, and in bringing to life a character who becomes an evergreen black […]
IT WAS THE show that launched the international careers of such performers as Hugh Masekela and Miriam Makeba and the Manhattan Brothers. King Kong. It’s been labelled iconic and groundbreaking, and frissons of its great potency filtered through the ether long before the Fugard Theatre’s season of this […]
THE ACHIEVEMENT OF theatrical perfection is very rare. And when it happens, you have to grab it with both hands, and make a point of seeing it, whatever it takes. The Afrikaans rendition of the 1989 American story of an elderly white woman and her black driver seems […]
THE INDIGNITY OF mental illness is never an easy topic to extrapolate on stage. It can be complicated by drug-induced fantasies and illogical behaviour that fit and don’t fit into the world. For a theatre work being presented to an ordinary audience – and not students experimenting with […]
IT TAKES SPECIAL skill to tease open one of theatre and literature’s greatest works and to reinvent it. It takes even more special skill and creative bravery to be able to produce a work on stage that has been produced on myriads of other stages all over the world […]
It’s not everyday that you get the chance to see veteran actor John Kani performing on stage, and the experience of watching this ostensibly vulnerable old man with rapier-like wit and electric timing is precious. The man has a magnetic stage presence; his performance in Missing is simply […]
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