In terms of power she wields both as a character and a performer, Mpume Mthombeni as Nomsa is God in a pair of 1950s-evocative horn-rimmed specs and a dress appropriate to a middle-aged woman. She carries the world on her head and can invoke humility or catastrophe with a gesture.
EVERY SO OFTEN in any artistic community, there’s an upsurge of aesthetic do’s and don’ts. It has as much to do with intellectual fashions of the day as it does with the personalities and egos in the industry. But it gives vent and platform to new voices, headlined […]
Taking on Sophocles with electric abandon might not be the dream of just any drama graduate. The material is difficult, linguistically, morally and chronologically. The language is complex and bloody and some of the issues it embraces are impossible to get your head around without your heart (or […]
What is it that makes a theatre director muddy his own clarity of thought and compromise something utterly wise and moving, with quick and nasty literal gimmicks? Matsemela Manaka’s Egoli, first published in 1980, is a powerful paean to manhood and the collective challenges it faces, but this […]
ansunecilliers
beckkglass
Chester Miggels
Gillian Rennie
elizhanduvenhage
erinventer02
Geoff Sifrin
godukazinobulali
henricopg
huibrechtdehart
isabeausophiajoubert
jessicajoubert
Kapisha Ramraj
kaylamullerr
matthewvanderwalt
meereieliefde
olgalouiselemmer
Palesa Moore
Peta Kaplan
Robyn Sassen
Saleemah Shaik
saleemahsketches
shanelschoombee
thembanhlapoart
Willem Pieter
zainabchoonara
Recent Comments