Through seducing you into engaging with it, the exhibition places you in dialogue with its artworks. It constantly asks you, “What do you think?” There is an ever-present spirit of collaboration between curator and visitor, inside and outside, space and body, prompting new relationships of meaning to form, again, again.
JUST WATCHING THE stars from the middle of nowhere was one of the magical things that Benjamin Keuffel, an arts publicist associated with the Goethe-Institut, listed among the best things he’d done in his life. And it was a life rich with context and people, with arts and […]
HISTORY WILL TELL you the mandolin’s popularity has wavered. It played second fiddle to the fiddle. And when the guitar came into fashion, the mandolin was subject to design modifications, forcing it to take a path less travelled. But good stuff always rises to the surface: When the […]
When you approach this book, you might think “Holocaust biography” and sigh with a sigh replete with a sense of been there, done that; what more could be said about the European Holocaust? But you’d be completely wrong. Steven Robins’s Letters of Stone is a beautifully constructed, imminently […]
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