In Lucas Hnath’s ‘A Doll’s House Part 2’, there is empathy and fierceness in the give and take between social values. Zane Meas opposite Bianca Amato is splinteringly fine in his masculine vulnerability and sense of impotence with a softened edge of reconciliation for the damage that mansplaining can bring.
IT WAS THE late Alan Crump, Chairman of the National Festival of the Arts in Grahamstown, during the 1990s, who used to quip about the so-called “blue rinse and boiling sweet brigade”, who the festival organisers had to take seriously because they represented a money backbone of the […]
“DON’T COMPROMISE YOURSELF; you are all you got,” were the words that Zoleka Helesi wrote on social media as a hook to her strongest beliefs. A giant of South African theatre, who took roles by their heart and guts allowed them to grab at immortality, Helesi believed implicitly […]
TRIBUTE TO PAUL EILERS BY HUIBRECHT DE HART. SAY THE NAME “Paul Eilers”, and you may think of more than 40 years of audience applause. A versatile, well-loved, and highly skilled entertainer, Eilers passed away on 28 June 2019 of a heart attack. He was 74 years old. […]
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