With her impish gap-toothed grin and her sprite-like existence onstage and in the interstices of the stories she told, fearless and impetuous dancer and choreographer Dada Masilo leaves a brilliant legacy that radically shifted an understanding of what dance from South Africa can and should be, anywhere in the world.
PICTURE THE SCENARIO. A performance of Gustav Mahler’s first symphony, the Titan, composed in 1888, is about to begin. The bassoonists stand poised, the trumpets in the wings. All due time hewn established pomp and ceremony is de rigueur; performers are in black. The audience is quiet, in […]
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