With her impish gap-toothed grin and her sprite-like existence onstage and in the interstices of the stories she told, fearless and impetuous dancer and choreographer Dada Masilo leaves a brilliant legacy that radically shifted an understanding of what dance from South Africa can and should be, anywhere in the world.
DO YOU REMEMBER the cultural imperative in South Africa? The thing that you had to see, at all costs, whether it was an opera or an exhibition, a performance or an event? Kentridge’s The Head and the Load evokes this artistic urgency among South Africans, that is at […]
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