The chorus of ‘The Portrait of Dorian Gray’ wins the day. It articulates just the right level of shrieking witch howls to keep the work ticking over and yet off-key. The texture of their presence evokes the disparity created by Polish composer Krzysztof Penderecki in his avant-garde contemplations of horror.
WHAT WOULD YOU tell your children if you lived next door to hell? While they ramble through their idyllic garden and live their perfect life, how would you explain the occasional screams of abject terror uttered by strangers, in the night, or the appearance of blood on your […]
BEHIND THE FEISTY face and wry sense of humour of 98-year-old Capetonian Ella Blumenthal is a history that underpins the life of many European Jews who lived through the scourge of the Holocaust, bereft, broken and with scant wherewithal to pick up pieces and start life all over […]
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