It’s about the wiliness of a five-year-old and the mess of political and geographical possibilities in the interstices of the Cape Flats and what can happen in the blink of an eye to a child who recognises an ostensibly friendly grown-up’s hand, without analysing it or colouring it in fear.
Life, death, betrayal and the heaviness of loss were brought onstage to Johannesburg high school students in the form of Shakespeare’s Hamlet, Othello and Romeo and Juliet. Armed with pure use of period language, a deep understanding of purpose and meaning and a rich clarity of narrative, they were perfect.
The chorus of ‘The Portrait of Dorian Gray’ wins the day. It articulates just the right level of shrieking witch howls to keep the work ticking over and yet off-key. The texture of their presence evokes the disparity created by Polish composer Krzysztof Penderecki in his avant-garde contemplations of horror.
CROSS OUT ANY plans you may have for tomorrow, Sunday October 14. The achingly brief season of Steven Berkoff’s Metamorphosis under the direction of Alby Michaels ends on that day, and it is a production you will deeply regret if you miss it. Of the calibre of Molière’s […]
WATCH OUT FOR the goosebumps that will plague your skin and soul and motivate you to move from one work to the next in Trans, an extraordinary exhibition put together by Brazilian curator Daniella Géo and featuring works that take the notion of the prefix ‘trans’ and splay […]
TANTALLON PEGASUS IS the quirky name of what appears to be a pointer. He’s big, he’s bony, he’s got a patent and well-developed sense of humour and he’s entirely vulnerable. Lying this way and that, asleep, with his ears back, his legs spread or curled up in a […]
THEY MOSTLY GAZE back at you, with intent, each from his or her – or their – own vantage point, through the texture of lines drawn or painted in charcoal, pen or oils. Most embody a sense of mystique and a layering of narrative which makes you ponder […]
ART, ARGUABLY, CANNOT – or should not – feasibly exist without a difficult push and pull, on the part of its maker and its audience. Something has to give that forces an image to trip the light fantastic and become more than just a drawing on a piece […]
SOUTH AFRICAN AUDIENCES are not generally privy to strong theatre works that engage meaningfully with a Middle Eastern narrative, clean of the clutter of political positioning. Standard Bank Young Artist for 2016, Jade Bowers, brings you Scorched a play written by Wajdi Mouawad in 2003 and in many respects, […]
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