Featuring phenomenal performances by Alice Findlay, Oratile Manamela, Nicola Shapiro and Ketsia Velaphi, it takes on the repetitive nature of a boarding school ethos, punctuated by gossip and politics, lessons which are both rote-based and morally confusing, and the drugs, sex and other illegal experiments conducted in the school’s interstices.
‘Master Harold’ is about the love and the shame and the hate that gets rolled into one messy stream of anger in the face of caring for a broken parent. And it is about the way in which a primal gesture can so sully a conversation that it annuls it.
WHEN YOU KNOW, from the first few phrases of a book, that you are in good and powerful storytelling hands, the rest of the text sings beyond the confines of its pages. This is the kind of experience you can anticipate in Catherine Cole’s foray into South African […]
DESCRIBING HERSELF AS a “full on earthquake”, veteran stage, film and television performer Shaleen Surtie-Richards loved people, but she quipped that there were some people she would have been happy to poke in the eye. Unequivocal in her values, she was unforgettable in her stage presence, whether it […]
VERY RARELY DO you get a coming together of narrative values that are not only sensitive to the text that they honour, but also have the maturity and sense of purpose to create a filmic product that stands on its own creative feet. This is what happens in […]
IT IS THE ceramic dog that gets to you, first. He’s painted a delicate shade of pink. And he stands there, on the table, the epitome of uber kitsch, with his painted tongue out, his painted black eyes poised and the striations that indicate his fur all abristle. […]
A WHITE HIGH school girl lies on her belly on a school bench to read a spot of King Lear as she munches on an apple. There’s a sense of ‘how things should be’ in everything from her school uniform to her engagement with what is obviously homework. […]
GRAVEYARDS ARE FASCINATING and complex ciphers of values. They’re about grounding one’s memories and honouring those who are no longer with us. They’re about a level of sacredness which touches everyone at the core. This is the premise of Athol Fugard’s devastatingly potent work, The Train Driver and […]
He sits in a beautiful space, filled with books and he contemplates the relentless enormity of loss. This simple gesture is the delicate pivot to A Voice I cannot Silence, a new South African play which gives flesh and poetry to a reflection on the life of Alan […]
They controversially deemed themselves more popular than Jesus Christ. Their songs are probably better known than Shakespeare. At 21 they were immortal. But they didn’t do it alone. This absolutely beautiful play reflects on the mysterious character of Brian Epstein, the record shop assistant who became manager of […]
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