With direction and choreography recreated by Rusty Mowery, the show maintains a fast-paced rhythm, balancing large ensemble numbers with more intimate character-driven scenes. You’re never in doubt about what you’re getting: a Cinderella-style love story wrapped in Beverly Hills fantasy, complete with shopping montages, operatic indulgence, and sweeping emotional payoffs.
By Israel Bansimba Israel Bansimba is a third year fine art student at the University of Johannesburg, who took part in the arts writing course facilitated by Robyn Sassen earlier this year. THE MAGIC OF making a photograph work, according to Nantes-based veteran dance photographer Denis Rion (59), […]
Children with their dogs in a tale about orphans during the years of the 1930s Depression – one that ends with a resounding happily-ever-after: It’s a flawless recipe for absolute schmaltz overload, for most directors, performers and producers. This version of Annie, however, replete with a significant child […]
War Horse is unequivocally the show of a lifetime: if you don’t see another theatre production ever again in your life, see this one. It brings together all the unmitigated magic of hand hewn material constructed with sheer love, courage and self-belief; the four brief months in which […]
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