THERE’S SOMETHING ABOUT a man at the tail end of a long career, who holds tight to his dignity and even tighter to his broken dreams. It’s a quality as much about tragedy and heroism as it is about vulnerability, and in the central role of John Kani’s […]
REVIEW: AFRIKAANS RADIO DRAMA: DIE HEKS THE 15TH CENTURY and its misogyny in Europe is legend. Iconic Afrikaans writer C Louis Leipoldt takes on the mantle worn by Umberto Eco, John Whiting and Arthur Miller in their contemplation of the phenomenon of witch burning, in a magnificent piece […]
THEATRE REVIEW: JANE EYRE. IF YOU’VE REACHED the point of misremembering the magic of theatre, having not seen anything live and outstanding since lockdown was declared a couple of weeks ago, look no further. Sally Cookson’s whopping three hour long production of Charlotte Brontë’s great 1847 classic Jane […]
THE NAUSEATING CLASH of religious dogmaticism and sexualities which contradict hetero-norms is not something new. If you look at the issue of sexuality more broadly and infuse it with an historical glance at the culture and persecution of so-called witches, it simmers and seethes there too. Young playwright […]
FORCING HILL-BILLY VALUES under the loupe and lasso of cowboy energy, Sam Shepard’s 1980s play, Fool for Love offers a raging and meaty reflection on broken love in a grubby world of lies, taboos and indiscretions. Director Janice Honeyman takes the project by its heart, and Kate Liquorish […]
THERE IS AN unequivocal boldness to the premise suggested by Rungano Nyoni’s film I am not a Witch, which was chosen to open this year’s European film festival on the art film circuit. By dint of its title, it ticks a number of boxes which are geared to […]
THE CHALLENGE OF telling a complicated story in bold brush strokes in such a way that detail and nuance are not part of the casualties is a stiff one. The creative team behind Molly’s Game has achieved almost the impossible with this finely honed piece of filmography that […]
THERE’S SOMETHING INESTIMABLY exciting about a new production that is conceived of, written and brought to life by a group of practitioners that is fast becoming recognised as a repertory group in the classical tradition. Why? Simply because you have seen their work in the past, and know […]
FEBRUARY IS BLACK History month and the Market Theatre proudly touts this international commemorative energy with arguably one of black America’s most poignant hard-hitting plays. Written in 1959 at the height of racist issues of the time, A Raisin in the Sun compares unequivocally with Arthur Miller’s inestimable Death of […]
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