IN THIS AGE of social media, Wikipedia and any and every other kind of dumbing down and shallowing out of real thought, the presence of Ashraf Jamal’s anthology of art essays, published by Skira in 2017 raises a middle finger to lazy thinking, sloppy writing and weak academic […]
THEATRE REVIEW: BRETT BAILEY’S MACBETH. YOU MAY HAVE seen many productions of the Bard’s most violent tale of the catastrophe and tragedy of unbridled ambition, in your personal theatre-watching history. You may even feel a little blasé about the head counts and the blood spilled in this story. […]
THE FILTHY OBSCENITY of ratified apartheid legislation in South Africa put a very special and specific spin on the meaning of taboo. This was never pornography in the traditional sense, because that form of sexual gratification was deemed completely verboten. Rather, what you got under the apartheid regime […]
DON’T BE PUT off by Craig Smith’s characteristic light touch on his raw canvases in It’s Irrelevant, a solo exhibition of new works mounted at Galleri Kalashnikovv in Braamfontein. Similar to the thinking of American artist Cy Twombly, Smith negotiates space, gesture and chance in a way that […]
VALENTINE’S DAY’S COME and gone with all its silly platitudes, earnest imperatives and underlying marketing ploys. But there’s a delightful little mad exhibition which is as much a foray on the love of another as it is about a maverick sense of what ifs. Love Letters by Diek Grobler […]
THERE’S A POTENT and muscular articulation of joy as you enter the gallery space for the Stevenson Gallery’s celebration of its 15th anniversary. It’s difficult to pinpoint why this happens because contemporary artwork is traditionally not happy but contemplative, not easy but sophisticated and often very self-focused. The […]
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