ALMOST in heaven: John Spencer (Donald Sutherland) and his wife Ella (Helen Mirren) on the trip of a lifetime. Photograph courtesy http://www.miamifilmfestival.com
LET’S FACE IT: our inimitable icons of stage and screen are aging. They’re still beautiful, they’re still sexy and they still have what it takes. Thank goodness the film industry is capable of recognising this and of granting performers such as Judi Dench, Meryl Streep, Annette Bening, Julie Walters and Vanessa Redgrave plum roles in which they can celebrate the inevitability of aging. The Leisure Seeker is another gem of this sort, giving voice to delicious performances by Helen Mirren and Donald Sutherland as an elderly couple who go rogue on their children, for one last fling.
Ellen (Mirren) and John Spencer (Sutherland) have had a rich, full life. He was a teacher of English literature with a particular penchant for Ernest Hemingway. They’ve two adult children. And they have a 1975 RV which has seen many a holiday with them. But here they are. Neither are in the first flush of health, but life’s for the grabbing and they decide to do a drive from Boston to Florida Keys to see Hemingway’s house.
That’s a drive of nearly 2 500km for the pragmatic. If you’re elderly, with fading memories and bits and pieces that no longer work as they used to, that’s almost the recipe for catastrophe. And catastrophic this is, particularly from the other end of a cell phone like to their children, Jane (Janel Moloney) and William (Christian McKay).
But amid the realities of incontinence and fervour, knee-jerk responses and utter hilarity, this is by all accounts, the journey of a lifetime. Mirren and Sutherland sparkle unforgettably in this beautiful yet thoughtful celebration of what it takes to grow old. The dialogue is crisp and bristly and the context real in terms of how the power is inverted when the parents are old and the children, grown, putting the giggles on the side of grandparents, and the punitive frowns on the side of the kids.
Narratively, the plot wanes a bit in terms of it feeling like adventure upon adventure and reading like a bit of a shopping list, characterised by an “and then … and then … and then” rhythm, but by and large, it’s a laugh and a cry at every stop in the road.
Irresponsible? Absolutely! But life is short and it’s completely for the living. It’s a Thelma and Louise kind of a tale which ends as it must, leaving you with a wet face, but a smiling one.
The Leisure Seeker is directed by Paolo Virzi and is performed by a cast headed by Helen Abell, Nicholas Barrera, Lilia Pino Blouin, Carl Bradfield, Robert Walker Branchaud, Roger Bright, Andrea C. Brotherton, Gabriella Cila, Danielle Deadwyler, Adam Drescher, Marc Fajardo, Dick Gregory, Carlos Guerrero, Ryan Clay Gwaltney, Wayne Hall, Joe Hardy Jr, Lucy Catharine Haskill, Rusty Hodgdon, Joshua Hoover, Denitra Isler, Dana Ivey, Ariel R. Kaplan, Jessie Sasser Kloos, Ahmed Lucan, Burk Madison, Dov Mamann, Elijah Marcano, Christian McKay, Matt Mercurio, Joshua Mikel, Helen Mirren, Kirsty Mitchell, Janel Moloney, Lindsey Moser, Robert Pralgo, Chelle Ramos, Jerald Jay Savage, David Silverman, Mylie Stone, Leander Suleiman, Donald Sutherland, Karen Valero, Sean Michael Weber, Ben White and Geoffrey D. Williams. It is written by Stephen Amidon, Francesca Archbugi, Francesco Piccolo and Paolo Virzi, based on the eponymous novel by Michael Zadoorian. Produced by Marco Cohen, Fabrizio Donvito, Benedetto Habib and Bryan Thomas, it features creative input by Carlo Virzi (music), Luca Bigazzi (cinematography), Jacopo Quadri (editing), Ellen Jacoby (casting),Massimo Cantini Parrini (costumes) and Richard A. Wright (production). Release date: March 30 2018.
ROMEO and Juliet: Gloria Grahame (Annette Bening) and Peter Turner (Jamie Bell) embrace their love, their lives and the Bard. Photograph courtesy http://www.austinchronicle.com
IT’S A GREAT rarity for a child actor who wows his audience to go away and come back to the industry all grown up and wow some more. This is exactly what you get in Paul McGuigan’s film Film stars don’t die in Liverpool, which features Jamie Bell as Peter Turner. This unique love story which is based on the true story of American film actress Gloria Grahame (1923-1981), penned by Turner himself, is the kind of film that will give you hope for the future of this society – and its filmmaking culture – it’s elegant and beautifully constructed with strong messages and gritty performances. And like any other love story, it’s about giving with a full heart and letting go, but there are so many delicate edges to it, you will want to watch this film over and over again. Forever.
Seventeen years ago, Jamie Bell was the child who defined Stephen Daldry’s Billy Elliott (2000), a story about a Northern England boy, the son of a miner in the riotous 1980s who wanted to do ballet. Today, he’s an adult, but the maverick fire in his belly and his ability to embrace complex social issues is as refined and beautiful now as they were then.
Again, we’re in the 1980s, with all its dance moves and analogue culture, in this wild romance. And the girl in the love story? It’s none other than Annette Bening, who is magnificent as a Grahame in her fifties. The love is passionate and unconventional, and Peter’s mum is played by the inimitable Julie Walters. Indeed, with Vanessa Redgrave playing Grahame’s mother, this film offers a full house of fabulous actresses over 60 and it celebrates them in ways that make you value the elderly in your own community.
But more than all of this, Film stars don’t die in Liverpool offers the kind of perfection that very few films can. Featuring a mature understanding of silence and wall paper patterns, of subtlety and finesse, along the lines of Hal Ashby’s 1971 Harold and Maude, which remains arguably one of the finest Holocaust films ever; it’s about exploring your lover’s body and finding truths which she can never tell you. It’s about what happens when marriage doesn’t seal your love, giving your lover’s relatives priority over you when it comes to death.
You know how this film will end by the very virtue of its title, but the predictability of the work is not the point. This is a film that embraces the brevity of life with fierceness and verve. It heightens the bar for the possibility of telling a story of this nature, enormously. It’s a film that makes you feel like you’ve stepped back into the glamour and magic of 1950s Hollywood, with all its illusions of sincerity, its stars and its unbroken dreams.
Film stars don’t die in Liverpool is directed by Paul McGuigan and is performed by Lee Adach, Anna Afferr, Tim Ahern, Lasco Atkinds, Rick Bacon, Frances Barber, Joey Batey, Roy Beck, Gintare Beinoraviciute, Jamie Bell, Annette Bening, Suzanne Bertish, Leanne Best, Michael Billington, James Bloor, Edward Bourne, Mark Braithwaite, Michael Brand, Tom Brittney, Joanna Brookes, Jade Clarke, Kenneth Cranham, Paul Dallison, David Decio, Stephanie Eccles, Karl Farrer, Helen Iesha Goldthorpe, Vaslov Goom, Stephen Graham, Leon Grant, Leila Gwynne, Alan Wyn Hughes, Alex Jaep, Bentley Kalu, John Kinory, Isabella Laughland, Adam Lazarus, Ify Mbaeliachi , Gemma Oaten, Luana Di Pasquale, Gino Picciano, Vanessa Redgrave, Jason Redshaw, David Soffe, Alexandra Starkey, Asmeret Tesfagiorgis, Glynn Turner, Peter Turner, Jay Villiers, Julie Walters, Nicola-Jayne Wells, Susan Westbury, Patricia Winker and Charlotte Worwood. It is written by Matt Greenhalgh, based on the eponymous memoir by Peter Turner. Produced by Barbara Broccoli and Colin Vaines, it features creative input by J. Ralph (music), Urszula Pontikos (cinematography), Nick Emerson (editing), Debbie McWilliams (casting), Jany Temime (costumes) and Eve Stewart (production). Release date: March 22 2018.