The production is delightful. It offers the now-57-year-old musical levity. As it opens, the lighting is rich with nuance. It feels like you’re gazing at a tableau of Rembrandt’s 1635 Belshazzar’s Feast not only for its colouration, but also in the evoked debauchery, teetering on the edge of biblical taboo.
ONE OF THE toughest aspects of mounting a West End and Broadway hit musical that has iconic film status is probably also one of the production’s biggest blessings: everyone knows the lyrics to the Lloyd Webber and Rice production Evita so well, they’re bawling them out all the […]
IF THE RAZZLE-DAZZLE of Andrew Lloyd Webber’s Joseph extravaganza is what gets your mojo pumping, look no further. This show is replete with utterly fabulous male performers, a song repertoire that’s mesmerising and upbeat and a hodge-podge of music references that may turn your head, if the booming […]
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