WHEN A GOOD storyteller has the skill to worm their way into an established monolith of history, there’s always some meat for a fantastic story. But Ian Gabriel’s Death of a Whistleblower is a lot more than just a great yarn that cuts deliciously close to the bone […]
OF RAIN AND curiosity, the personality of mountains, love and loss, this week’s Radio Sonder Grense drama slot is filled with the sound and fury of beautiful poetry. Born in 1871, Afrikaans poet Eugène Marais was to become one of the language’s most mysterious and romantic characters in […]
CONVENTIONALLY, YOU MAY think of the horror genre, and the images that pop into your head will derive from western culture: Of vampires and werewolves and centuries-old gothic houses that creak and grumble under old untold tales. But we’re in Africa, and the yarns that unfurl here, can […]
ROUGH AND WISE words constructed around a complex and nuanced narrative and cast within the folds of metaphors and figures of speech, wickedly flipping languages up against one another, can never get old. Particularly if they are performed with a guttural perfection that is peppered with physical theatre […]
IT IS RARE for the ingredients of a play, the technique and the outcome to resonate with such a sense of shattering potency that it touches you at the core, from beginning to end and doesn’t let go. Karel se Oupa is a new play by the creative […]
It’s a great rarity when you are privileged enough to see a play so ununtterably perfect that you feel were you to never see a play again, it would suffice. Fairly low-key, Dop is unequivocally a play of this standard. Premised on the clichéd honest friendship between a […]
THE ‘F’ WORD’S become constrained by frowns and taboos in the last little while, particularly under the rubric of “sugar-free September”, a dietary challenge for the month. In this fast-paced world, where slang is coined overnight and things become offensive with increasing rapidity, you could fall into a trap […]
As she walks onto the stage, bent over by her smoker’s cough and her palpable despair, Anna-Mart van der Merwe, in the role of Fugard’s ‘Millie’ magnetises the audience. She portrays the squalid baseness of poverty and worthlessness in an early 1970s South Africa with a sense of […]
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