IT ALL BEGINS with a bit of masked and gloved mystique that gets even the littlest of littlies focused on the stage. That is the kind of magical lure you will experience in this version of Alice in Wonderland, that graces the stage this season. And it’s a […]
TAKE AN HISTORICAL site of worship that shrieks 1980s community in South Africa. Rattle its proverbial bones with the shadows and demons of what was profoundly taboo to that sense of community, then. Toss in some harsh lights, a dash of stage smoke and doef-doef music to make […]
CHILDREN’S THEATRE REVIEW: ALICE IN WONDERLAND. TAKING A HEAVILY-detailed Victorian foray into a world conditioned by what we would in today’s times call surreal and packing it into one hour for a predominantly contemporary childcentric audience, is one challenge. Arranging it for a cast of but four performers […]
VISUAL ART HAS primeval, ritualistic roots; amid the moneyed operations of galleries and the cloying notion of commercially accessible easy art, sometimes those old levels of cruelty and wisdom poke through. When you encounter the current body of self-portraits by Steven Cohen, collectively entitled There’s glitter in my soup!, […]
YOU MAY THINK of them as the creepy crawlies that make you scream when you see them by chance, the six-legged insects that populate the underbelly of our world but Gillian Katz has given life and love to a bunch of ‘goggas’ with their hard carapaces, their noisy […]
“MY HEART IS in every single show. Making children laugh makes me remember why I do what I do. It is the sound of the joy in this theatre that turns it into a haven,” children’s theatre guru Francois Theron told My View, in an interview some months […]
AS YOU ENTER the upstairs space, courtesy of the architects of the Standard Bank Gallery, there’s an implicit sense of event. This is obviously always the case. But it’s enhanced several-fold in Gordon Froud’s first major retrospective. How? Curatorial decisions have dramatically place a massive polyhedron in your […]
Sometimes you just know that a film will most likely not break box office records, not in this generation, at least, but that this market-centric prediction has absolutely no bearing whatsoever on its brilliance, its historical merit or its importance as a piece of research. Johnny is nie […]
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