In ‘Thrill Me’, lighting in tandem with language and movement achieves greatness, lifting the spectacle to a sinister monochrome in the face of the greatest sin one human being can perpetrate against another. Balance in the performers’ movements and the story’s nuances, makes it satisfying on eye, ear and mind.
AS YOU PUT your hands together in salute of this theatre work, and shift yourself to stand in loyal ovation, you are celebrating and honouring not only this particular theatre work, but the treasure that Pieter-Dirk Uys is to this country. It’s a feeling that floods through the […]
FILMS WARNING SOCIETY of the dangers of alcohol addiction may come and go, but Thomas Vinterberg’s Another Round will stay with you for a long time. This Danish work which is unequivocally the king of this year’s European Film Festival South Africa, is available without cost and online […]
CONVENTIONALLY, YOU MAY think of the horror genre, and the images that pop into your head will derive from western culture: Of vampires and werewolves and centuries-old gothic houses that creak and grumble under old untold tales. But we’re in Africa, and the yarns that unfurl here, can […]
THE CULTURE OF the scary flick has a long following which was as much about the physiologically kick of a big fright as it was about being safely ensconced in the audience and not being susceptible to the grasp of an Agatha Christie baddie or the psychopath that […]
IF YOU’VE BEEN reluctant to watch part two of Die Pelsloper because you’re afraid to do so alone and in the dark, ‘reluct’ no more. The story, coined by Martyn Le Roux, takes on roughly where it left off, but sprinkled with a theme of love rather than […]
THE POTENTIALLY SINISTER and foetid context of what goes on — or used to go on — behind closed farm doors in grim and unbending religious South Africa comes under close and gory scrutiny in Reza de Wet’s riveting tale of incest and dirt, horror and gamesplaying. It’s […]
EVERY SO OFTEN, a piece of literature is crafted which is simply perfect – in its character development, in its narrative structure, in how the language fits together. Nadine Gordimer’s short story The Train from Rhodesia (1952) is one of those. As is the chapter in Tolstoy’s Anna […]
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