Soprano Louise Alder in the role of Zdenko/Zdenka lends ‘Arabella’ a feisty sense of character and her performance is one of the best reasons you should steel yourself to see this work. Her role is small, counterbalanced against that of the eponymous Arabella (performed by Rachel Willis-Sørensen), Zdenko’s elder sister.
‘Grounded’ is a knock-out of a work featuring the magnificent Canadian mezzo soprano Emily d’Angelo, that offers a take on female identity in the man’s world of war and aggression. It breaks fresh ground with contemporary technology and will blow your mind with its take on moral trauma and complexity.
HE STANDS WITH assumed dignity on a plinth made of a wooden crate. His face is a morass of rough finger-worked texture, his body is constructed along the classic principles of the portrait bust. On his head, there is a stylised fish, or is it a loaf of […]
TAKE TWO INTELLECTUALS with something to say, put them together and record, transcribe and publish their words. Effectively, this is what you get in Footnotes for the Panther, which sees William Kentridge chatting to his friend Denis Hirson about life, the universe, his art, the craft of writing […]
Speaking of the power of music, internationally feted pianist Renée Reznek brings a brand new work to South Africa next week, which she commissioned herself. Entitled Hade Tata, the piece for solo piano is composed by Neo Muyunga and celebrates Nelson Mandela. Reznek performs at this, the seventh annual […]
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