In ‘Black Coffee’, everything, from a complete colour wheel of deadliest poison, to the toby jug in the room, to the sub-plot of secret plans for a bomb, not to forget the costumes and pin curls of the era, is perfectly handled. This is a well-made play at its best.
AS SOON AS most gallery visitors and those who boast an interest in the creative industries announce that there’s a William Kentridge exhibition in town, a sense of respectful silence embraces the conversation. It’s like a declaration that God has landed in Johannesburg and may be seen on Tuesdays […]
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