Has this broken world in which we live, replete as it is with an anything goes mentality, become numbed by the notion of horror? Have images of atrocity lost their bite? This is a question you might be tempted to ask as you enter the space of Keith […]
Abstract painting may be seen to have had its day, in the avant-garde 1940s and 1950s in the West, when painters of the ilk of Mark Rothko, Jackson Pollock and Barnett Newman, to name but a few, were in their heyday, cocking snooks at the notion of literal […]
Before binaries like politics or gender, what really determines our sense of place in this world? Our grip on the veracity of maps? Our understanding of the sinisterness of germs? Our ability to access colour? Richard Penn’s current exhibition, Surface Detail, may, by and large, be seen to […]
Artist Bronwyn Lace enjoyed an important friendship with the late Neels Coetzee. She graduated from Wits University two years before she first encountered his work and knew him more as a friend and master of South African sculpture, in the latter part of his life, than as teacher. […]
Walk into any environment. Engage with strangers. What are the basic signifiers that enable you to do so? For one thing, language. For another, gender. An understanding of whether someone is a girl or a boy fundamentally affects how you respond to them. Call it upbringing. Call it […]
Arguably, Karin Preller is at this moment one of South Africa’s most collectible artists. She’s firmly in a mid-career trajectory, her work is uniformly exceptional and her prices are not (yet) skyrocketing. Also, her pieces are about a heady mix of skill, nostalgia and beauty. It never allows […]
It was William Blake who wrote of infinity in a grain of sand; there’s a logical, but also a peculiar parallel which happens unintentionally in Crucible, the first major retrospective exhibition of work by the late Neels Coetzee. It’s an odd thing, because the intensity and unequivocal beauty […]
There’s something dishearteningly unresolved in the overall impact of Stephen Hobbs’s current solo exhibition, which offers a foray into the rhetoric of camouflage and opens a can of vague worms onto a range of hinted at and skirted around army-related political innuendo. The unequivocal saving grace of this […]
A sheep looks at you blankly from the interstices of a drawing. But is this really a sheep? Conjoined with a human-evocative body and highlighted by a clasped-together pair of chicken’s feet, the current exhibition of charcoal and paint works on paper by Colbert Mashile is about much […]
There’s a glimmer of brush marks, a frisson of lines drawn and redrawn over one another, a glimpse of rapid yet deep engagement between artist, subject and canvas that you access in being in the presence of this exhibition of close to 40 works – the first solo […]
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