WHAT WOULD YOU deem the most difficult job in the arts industry? Could it be running a busy top-flight gallery with the difficult egos that come of sensitive artists? Could it be being head honcho to an arts fund-raising initiative, where you have to make decisions and by […]
BORN TO FRENCH-SPEAKING parents, but committedly South African, theatre director, stage actor, film and tv personality, Sylvaine Strike is, according to the French Ambassador, His Excellency Christophe Farnaud, and the power invested in him, a bridge between the two cultures. He said this at a deeply moving, intimate […]
TAKE A HANDFUL of western fairy tales. Inject into them a goodly measure of Jungian myth-making, and Rudolf Steiner thinking, spiced with some pop psychology, tight Broadway sequences, a dollop of cynicism, some good rhythmic writing and not a little tongue in cheek-ness and you get a rollicking […]
WOULD YOU VOTE for a simple duck to be your national leader? This bizarre little question comes under the eyeglass in the National Children’s Theatre’s first production of the year. And it’s apt to get many a giggle and a squeal of delight. Duck for President, directed by […]
WHERE THERE IS smoke in a story involving powerful figures, there is always fire. And the story that wriggles its way out into the public forum is often a cover from one much more sordid and filthy than the public should be allowed to know or can stomach. […]
SHE WAS ONE of black America’s iconic figures during the turbulent 1960s. And her songs were grist for the protest mill. But that wasn’t all. You think Nina Simone (1933-2003) – born Eunice Waymon – and you think of the wealth of beauty and subtlety, nuance and fire […]
YOU KNOW THE drill. A bunch of sophisticated strangers, honed to the teeth by Agatha Christie’s fine and characteristically succinct descriptions, finds itself isolated from the rest of the world. And everyone’s a little annoying until someone gets themselves murdered. The delicious frenzy of the slick whodunit in […]
ZANE MEAS ADORES everything about South African writer Chris van Wyk. It’s about the cunning and oft self-deprecating magic of being Coloured in a world that doesn’t consider you black enough or white enough. It’s about the chalky memories of racism and the mixed up words and opaque […]
SHE SIZZLES WITH her sense of queenly potency, her sexual beauty and the essence of being Cleopatra and all that she represents to the past and the future. This is Sophie Okonedo who defies ordinary adjectives. Her performance is so fine, you cannot take your eyes or your […]
A TALE OF politics and love, betrayal and death, Verdi’s opera Aïda, composed in 1870, is arguably one of the opera genre’s most known works. Indeed, it’s probably the repository for the most famous ensembles, tunes that you can whistle on your way to the theatre in […]
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