THERE ARE FEW things as gratifying as a spot of Hemingway to pepper up a dull Johannesburg evening with a bit of culture, but this is Hemingway as you could never have anticipated him. One of this country’s most exciting repertory theatre groups, under the pens of Nick […]
IT WAS THE show that launched the international careers of such performers as Hugh Masekela and Miriam Makeba and the Manhattan Brothers. King Kong. It’s been labelled iconic and groundbreaking, and frissons of its great potency filtered through the ether long before the Fugard Theatre’s season of this […]
IN THE EARLY 1990s, if you wanted to bring South African flavour to the table, particularly if you knew nothing at all about this country, you were safe with a generic bit of Ndebele-ness. The symmetry, the easy geometry and the clean colours based on that community’s traditional […]
WHAT DO YOU get when you toss some well-heeled classics together with an unusual kind of trio, an appetite for experimentation with symphonic rearrangement and a clear, fresh look at the future of music audiences? That’s easy: you will experience it all in Johannesburg next Sunday evening, courtesy […]
WRITING IS A messy business. It’s a mixture of grammar and correctness, of rhythm and texture, of perspective and controversy. But occasionally it can be so devastatingly lucid that a scene read more than 20 years ago, can still haunt. Irrevocably. Bruisingly. It takes a truly remarkable team […]
IT TAKES A special balance of intellect and skill, depth of focus and an understanding of subtlety, texture, the shame and dignity of suffering, to say nothing of historical context to take the reins of a play as nuanced and rich as this work, Freud’s Last Session and […]
WHEN REAL MAGIC prevails in a situation, the mystery can be so great that all ideas of play-acting illusion and scepticism are cast aside spontaneously, mesmerising young and old unashamedly in the sense of ‘what if’ that it conjures. This is exactly what happens in the stage version […]
IF YOU PRICK me, will I bleed? They’re words which evoke the Jew in Shakespeare’s Merchant of Venice, offering a glance into the hurtful and ghastly illogic of xenophobia. South African choreographer Gregory Maqoma and Austrian born Helge Letonja in a compelling collaboration take these words and push […]
THE POLITICAL, SEXUAL and otherwise social hooliganism of us South Africans, big and small, black and white make for constantly fertile material with which to play. Particularly if you’re John van de Ruit and Ben Voss. Their Mamba brand, coined in 2002, is still going strong with classic […]
<<Warning: This production contains strobe lights and lights focused directly on the audience>> THE TRICK OF writing good material for a stage production is not about packing a story full of so much detail that it develops narrative indigestion, and then focusing interrogation-strong lights on your audience from […]
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